home
links
contact
 


 


 

FADO E-LIST (September 2021)

INDEX

1. AGYU/FADO EVENT: Archival Alchemy® with Joyce LeeAnn

Date: September 21, 2021; Location: on-linen-line

2. EXHIBITION/EVENT: 40 Years DAS KONZIL & 35 years Black Market International

Date: August 30–September 23, 2021; Location: Stuggart, Germany; Source: asabank

3. EVENT: Jess Dobkin’s Wetrospective

Date: September 2–26, 2021; City: Toronto, Canada & on-line; Source: AGYU

4. EVENT: New Performance Turku Festival 2021: SURVIVAL

Date: September 3–5, 2021; Location: Turku, Finland; Source: NPK

5. EVENT: Open Flow presents Action Art Encounter

Date: September 5, 2021; Location: Chicago, USA & on-line; Source: Carron Little

6. CALL FOR EXPRESSIONS OF INTEREST: Rhubarb Festival

Deadline date: September 10, 2021; Location: Toronto, Canada; Source: BIBT

7. EVENT: Artist Focus with Marilyn Arsem

Date: September 11, 2021; Location: on-line; Source: Carron Little

8. EVENT: Le Lieu, center for contemporary art presents RLAP

Date: September 11 & 18, 2021; Location: Québec City, Canada & on-line; Source: Facebook

9. EVENT: ANTI – Contemporary Art Festival

Date: September 14–19, 2021; Location: Kuopio, Finland & online; Source: Elisa Itkonen

10. WORKSHOP: Site + Time Workshops with Martine Viale and Carron Little

Date: October 1–11, 2021; Location: on-line; Source: Carron Little

11. EVENT: 1 9 Monologue by VestAndPage
Date: September 17, 2021; Location: Folkestone, UK; Source: VestAndPage

12. WORKSHOP: Site + Time Workshops with Martine Viale and Carron Little

Date: October 1–11, 2021; Location: on-line; Source: Carron Little

13. COURSE: ECC presents Performing the Memory with Mara Jovanovic

Deadline to apply: October 2, 2021; Location: on-line; Source: ECC

14. COURSE: ECC presents New Technologies for Performance Art with Francesca Albrezzi

Deadline to apply: October 3, 2021; Location: on-line; Source: ECC

15. ANNOUNCING: Franklin Furnace Fund Recipients 2021–2022

Date: now; Location: NYC, USA; Source: Franklin Furnace

16. TO WATCH: How to survive the pandemics? / Guillermo Gómez-Peña

Date: now; Location: on-line; Source: VestAndPage

 

+++

 

1. AGYU/FADO EVENT: Archival Alchemy® with Joyce LeeAnn

Date: September 21, 2021; Location: on-line

 

Archival Alchemy® with Joyce LeeAnn

 

Tuesday, September 21
7:00 pm (on-line via Zoom & with live captioning)

 

Register to receive the Zoom link here: http://agyu.as.me/schedule.php

 

AGYU and FADO Performance Art Centre welcome you to an on-line artist engagement with Joyce LeeAnn presented as part of the solo exhibition, Jess Dobkin's Wetrospective. During our time together, she will lead us on a journey to explore archival processing as performance art.

Joyce LeeAnn is a certified archivist, an interdisciplinary artist, and the founder of Archival Alchemy®. As an archivist, she has worked for a community archive, a corporate archive, a large public library, and a prestigious museum. However, her archival praxis began as a young girl, and as an act of decolonization she centers her innate methods. Through her artistic projects, she is creating an archive of everything that she has conquered and is overcoming. This is the essence of Archival Alchemy®. Created in 2017 and cultivated directly from Joyce LeeAnn’s practice, Archival Alchemy® is a small business that supports institutions and artists to activate and enrich archives.

ABOUT JOYCE LEEANN
Joyce LeeAnn is an interdisciplinary artist and certified archivist currently living and working in New York, USA. In 2011, she self-published her archival text, somethymes grief goes for a walk. In 2013, she co-curated The Finding Aid: Black Women at the Intersection of Art and Archiving at the Schomburg Center. She is a House of Noire gem, and was a Create Change fellow with The Laundromat Project, as well as a MoCADA creator in residence. She has performed her work at The Noire Pageant, Laurie Beechman Theatre, House of Yes, New York University, Brooklyn Museum, and many other places.
 

This artist engagement is presented in community with the AGYU as part of a constellation of talks, perfromances and public engagements for Jess Dobkin’s Wetrospective. The AGYU would like to thank: 16 TONNES, ampd*, FADO Performance Art Centre, franklin furnace, Hemispheric encounters (SSHRC), polyjohn, QUEST AV and Sensorium.

 

+++

 

2. EXHIBITION/EVENT: 40 Years DAS KONZIL & 35 years Black Market International

Date: August 30–September 23, 2021; Location: Stuggart, Germany; Source: asabank

 

40 Years DAS KONZIL & 40 years International Performance Art Archive
DIE SCHWARZE LADE | BLACK KIT

35 years of BLACK MARKET INTERNATIONAL


40 years ago, on a beautiful day in September 1981, "The Council" happened. Within 30 days, projects were born that still show, stand and play, today. From the service group that formed in that one month of "The Council", the modules Service and the Gift developed which changed the classical organizational structures and found a stringent architecture, manifested as ASA-European and Rent An Artis. In collaboration with international artists diverse nodes and networks were founded, with a focus on performance art and live art. The tool group of "Das Konzil" laid the foundations for the formation of Black Market International, an international performance association, which in 2021, celebrates the 35th anniversary of its first performances.

 

More information:
www.performance-art-research.de/black_market_international.html 
http://blackmarketinternational.blogspot.com/ 

The "Black Kit", as the spiritual and material resonance stock of "The Council" and the subsequent manifold encounters, mutated over the years into the International Performance Art Archive with an eventful history. The location and support changed several times due to the growth and structural requirements of an archive.


The present-day team, which was recently formed, will take these circumstances into account in cooperation with ASA-European and some other passionately interested persons. Starting in September 2021, it is time to celebrate: 40 years of the Council and thus 40 years of the International Performance Art Archive DIE SCHWARZE LADE | BLACK KIT. The Künstlerhaus Stuttgart has joined the celebrations and are presenting their own event in this context.

40 Years of the Council, exhibition
August 30–September 12, 2021
Künstlerhaus Stuttgart

Contact: info@kuenstlerhaus.de


In a two-week period, the historical Council is linked together again, in the form of an archival exhibition with an accompanying performance program: 35 years Black Market International.

 

ARTISTS:

Myriam Laplante

Alastair MacLennan

Helge Meyer

Boris Nieslony

Jacques van Poppel

Elvira Santamaría

Guest: Sandra Johnston

 

DATES/TIMES

September 15 | 6pm–8pm

Kaiserhalle Burgbrohl, Wilhelm Bell Str. 11, 56659, Burgbrohl


September 18 | 2pm–7pm

Rufffactoy Cologne-Ehrenfeld, Cologne, Marienstraße 73, 50825 Cologne

 

September 23 | 2pm–7pm

Milchsackfabrik - Alte Schmelze, Gutleutstraße 294, 60327 Frankfurt-Main

 

+++

 

3. EVENT: Jess Dobkin’s Wetrospective

Date: September 2–26, 2021; City: Toronto, Canada (IRL/various streams); Source: AGYU

 

Jess Dobkin’s "Wetrospective"
September 2–26, 2021
 
The Art Gallery of York University is excited to present the first solo exhibition of Toronto-based performance art matriarch Jess Dobkin, curated by Emelie Chhangur.
 
“Driven by an interest in how one might performatively engage the energetic liveness of archives from polysemous perspectives Jess Dobkin’s Wetrospective takes up and takes apart the linear, patriarchal, and authoritative conventions of archive-making impulses. Channeling them instead toward more rhizomatic readings and feminist relationalities, she upcycles her own archive of past performances in ways that constitute her concept of “bendy-time.” The “archive” performs in this exhibition at the same time as it makes sense of (as in making sensate and sensual) an artist’s 25-plus-years of performance art work—including all its material and immaterial remains, reminders, and affective labour. This exhibition demands of archives what we expect from performance: the live encounter of experience in a ritual of transformation. Taking past performances as cues and as clues, this exhibition is a polytemporal, feminist, and queer experience of an archive of possible futurities, open to forever accommodating the always-shifting communities of belonging that Dobkin’s performance practice entails and magically conjures.” ~Emelie Chhangur

Events & Tours & Talks

 

September 9 | 3pm @ AGYU

You’re Welcome Wetro Tour with Emelie Chhangur and Jess Dobkin (IRL)

 

September 10 | 7–10pm @ AGYU

Collective Effervescence Wetrospective Opening Party (IRL)

 

September 18 | 3pm @ AGYU

Portals, Potions and Archives with Jehan Roberson (IRL/livestream)

 

September 21 | 7pm

Archival Alchemy® with Joyce LeeAnn Joseph (livestream)

 

September 23 | 3–4pm

Hemispheric Encounters with Performance Art Archivists (livestream)

 

September 24 | 3pm @ AGYU

All the Feels with Ann Cvetkovich (IRL/livestream)

 

September 20 | 3pm @ AGYU

The Live Encounter Performative Gallery Tour with Laura Levin (IRL)

 

For more information, schedule of ancillary programming, gallery hours and COVID-related protocols for all events and the exhibition, please visit: https://agyu.art/project/wetrospective/


ABOUT JESS DOBKIN
Jess Dobkin has been a working artist, curator, community activist, mentor and teacher for more than 25 years, creating and producing intimate solo theatre performances, large-scale public happenings, socially engaged interventions and performance art workshops and lectures. Her practice extends across black boxes and white cubes, art fairs and subway stations, international festivals, and single bathroom stalls. Jess is currently Curator of the Performing Archives stream of a multi-year “Hemispheric Encounters: Developing Transborder Research-Creation Practices” SSHRC Partnership Grant.

 

ABOUT AGYU
Art Gallery of York University (AGYU) is a socially minded public non-profit contemporary art gallery that is a space for the creation and appreciation of art and culture. It is an affiliated and supported unit of York University, with key funders including the Canada Council for the Arts, the Province of Ontario through the Ontario Arts Council, the City of Toronto through the Toronto Arts Council, foundations, embassies, other cultural institutions, and through our membership. Throughout its 32-year history, AGYU has always operated at the forefront of contemporary artistic, curatorial, and art institutional practices.

 

+++

 

4. EVENT: New Performance Turku Festival 2021: SURVIVAL

Date: September 3–5, 2021; Location: Turku, Finland; Source: NPK

 

New Performance Turku Festival 2021: SURVIVAL
September 3–5, 2021

 

ARTISTS

Tytti Arola (FI)

Maija Hirvanen (FI)

Minerva Juolahti (FI)

Maria Kananen (FI)

Tiia Kasurinen & Johanna Naukkarinen (FI)

Maire Karuvuori (FI)

Katriina Kettunen (FI) & Olga Spyropoulou (GR/FI)

Antti Laitinen (FI)

Tuija Lappalainen (FI)

Diana Soria Hernández (MX/FI)

Tomasz Szrama (PL/FI)

Antti Tolvi (FI)

Timo Viialainen (FI)

Jani Petteri Virta (FI)

 

The year 2021 marks the 10th anniversary of the New Performance Turku Festival! The theme of the anniversary year is SURVIVAL. The performance art works will address topics such as surviving in extreme conditions and survivalism as a phenomenon, but also approach more subtle survival strategies and coping mechanisms during ecological emergencies, the pandemic and in the current and post-catastrophic world.

 

New Performance Turku Festival 2021 artists are Finland-based, internationally active artists across the performance art discipline. The festival has also invited researches, Marjukka Parkkinen and POLIMA research project (Academy of Finland), both affiliated to the University of Turku.

 

In the context of performance art the survival modes can be brought up and be amplified through discussion and festival works. Essential elements for resilience enhancement are the significance of the community, participation and sharing. The SURVIVAL theme is inviting the audience, artists and the art scene to recover and carry on together.

 

Please note that although the festival is free of charge, almost all works require pre-registration. For more information and to book your seat, visit:

www.newperformance.fi

 

+++

 

5. EVENT: Open Flow presents Action Art Encounter

Date: September 5, 2021; Location: Chicago, USA & on-line; Source: Carron Little

 

Presented in partnership with Out of Site & Experimental Sound Studio

Open Flow: Action Art Encounter

 

September 5, 2021

11am–1pm CT (6pm–8pm ECT)


ARTISTS

Émilie Franceschin

Michelle Lacombe

Carron Little

Manuel Macco

 

Curated by Martine Viale

 

Reflecting on live actions in the public space in relation to these challenging times, can we consider live stream platforms as other sites for experimental practices? In this context where we control exactly what we show and what we hide, what connections do we make between the necessities of our actions and the images we choose to communicate? Without thinking that live platforms should, in any way, replace the direct experience of action art, I believe that it is quite crucial to collectively rethink several ways of meeting and continuing to make work, as well as to reflect on the various forms of dissemination of action art. Perhaps it is possible to find a balance that would enable us to explore these questions and to adapt without compromising the work, be it radical, subtle or furtive. In order to open a common space of reflection on these subject matters, I wished to gather the work of four women artists, who question the cultural constructions in relation to the image of the body and specifically the female body. Whether it is establishing strategies of discomfort to explore certain evocative qualities of the unspectacular or embodying gestures that attempt to distort a situation in order to address opposites such as attraction and repulsion, these women share a very personal way of exploring notions of limits and resistance, while using the body as a site of experience and possibilities. 

 

For more information and to link to the live stream:

https://www.flowsymposium.org/open-flow

 

+++

 

6. CALL FOR EXPRESSIONS OF INTEREST: Rhubarb Festival

Deadline date: September 10, 2021; Location: Toronto, Canada; Source: BIBT

 

Call for Expressions of Interest: Rhubarb Festival

Presented by Buddies in Bad Times Theatre

 

We are currently seeking expressions of interest for the 2022 Rhubarb Festival, Canada’s longest running festival of new and experimental performance. Like this past February’s Book as Festival, Festival as Book, Rhubarb is transforming once again for 2022. After more than a year away from the theatre, we are craving the spectacle of live performance and the possibilities of the theatrical space. Yet, instead of rushing a return to the before and the inherent failings within, we seek to activate a renewed relationship to time, collaboration, and context. As such, we’ve invited architect and installation artist, Andrea Shin Ling to create a large-scale installation for the Buddies in Bad Times Theatre Chamber space, conceived in conversation with Festival Director Clayton Lee. Participating Festival artists will create works that respond to and engage with Andrea’s prompt and installation. 

 

Read the full call for expressions of interest here:

https://buddiesinbadtimes.com/news/the-rhubarb-festival-2022-call-for-expressions-of-interest/

 

+++

 

7. EVENT: Artist Focus with Marilyn Arsem

Date: September 11, 2021; Location: on-line; Source: Carron Little

 

Presented by Out of Site Chicago

Artist Focus with Marilyn Arsem

Saturday, September 11

11:15am CT | 6:15pm ECT

 

The Fall Session of Artist Focus where we are in dialogue every week with one artist about their public performance practice starts back up on September 11, 2021 in conversation with Marilyn Arsem. These weekly conversation series is broadcast live to Twitch, FB and our Youtube channel. We encourage you to tune in live and join the conversation.

 

For more information: http://outofsitechicago.org/artist-focus/

 

Artist Focus: UPCOMING DATES
September 11: Marilyn Arsem (Boston, USA)
September 18: Frans van Lent (The Netherlands)
September 25: lo bil (Canada)
October 2: Emilie Franceschin (Toulouse, France) – in French
October 9: Manuela Macco (Turin, Italy) – in French
October 16: Isa Fontbona Mola (Girona, Spain)
October 23: Helen Lee (Chicago, USA)
October 30: Catherine Schwalbe (Chicago, USA)

All conversations start at 11:15am CT | 6:15pm ECT

 

To tune in and engage in the conversation please visit Out of Site twitch channel: https://www.twitch.tv/out_of_site

 

ABOUT Out of Site

Out of Site Chicago (OoS), founded by Carron Little and Whitney Tassie in 2011, has facilitated the staging of over one hundred public performances over the last ten years in Chicago, USA. Over time, we have prioritized performative experiences that engage the public directly in meaningful interactions. Today we facilitate intimate, meaningful experiences; encounters and conversations with audiences who wish to participate, and those who stumble upon these works. Surprise can have an embodied response, providing an uplifting experience has come to define these experiences and interactions with people in public spaces. As we enter our tenth anniversary year we have partnered with Experimental Sound Studio to curate a program throughout 2021, we are presenting Chicago performance artists to a global audience and sharing the beauty of Chicago Parks. We are collaborating with Chicago Park District and this year have presented public performances from Australia, Canada, England, France, Germany, India, The Netherlands, Spain, and USA.

 

+++

 

8. EVENT: Le Lieu, center for contemporary art presents RLAP

Date: September 11 & 18, 2021; Location: Quebec City, Canada & on-line; Source: Facebook

 

Le Lieu, center for contemporary art presents the program of the RLAP, the local meeting of performance art.

 

Dates: August 21, August 28, September 11, September 18

Time: starting at 3:00pm

Location: 345 rue du Pont, Quebec City (and on Facebook live)

 

Le Lieu, a center for contemporary art, has been involved since 1982 in the dissemination of outdoor, urban and in situ performative proposals. It will therefore be an edition not to be missed to discover the 17 proposals for duets or solos by artists from "home". You will also have the opportunity to discover the video performances of artists from Latin America and the Middle East which will be screened in the gallery. Reception will be outside and a maximum of fifteen people can attend the screenings.

 

From 3:00pm, we will start the day with a stroll or a long-term performance. From 5:00pm, DJ's from Quebec City will ensure the atmosphere. Between 5:00pm–7:00pm, a caterer will be on site and will offer you Brazilian flavors with a veggie option and a bar will be available. The evening of performances will continue from 7:00pm.

 

All events will take place in our outdoor parking lot. We can accommodate a maximum of 100 people on the site and we will ask for the name and email address of visitors. The distance of one meter and the wearing of a mask inside and outside, if the distance of one meter cannot be respected, will be requested. The site will have all the devices required by public health to ensure compliance with health measures. We hope that this event gives an artistic breath in this summer period and we want everyone to collaborate in the smooth running.

 

September 11

Camille Renarhd & Oscar Coyoli
Rachel Echenberg & Clara Worsnip
Alegria Gobeil
Sébastien Goyette Cournoyer

 

September 18
Jean-Philippe Luckhurst-Cartier
Michelle Lacombe
Sara Létourneau & Chantale Boulianne
Geneviève et Matthieu

 

For more information and to watch the previous video documentation: 

https://www.facebook.com/events/224008499619603

 

+++

 

9. EVENT: ANTI – Contemporary Art Festival

Date: September 14–19, 2021; Location: Kuopio, Finland & online); Source: Elisa Itkonen

 

ANTI – Contemporary Art Festival takes place in Kuopio from September 14–19, 2021. As we approach our 20th festival, amid these challenging times, we turn to an idea that sits at the heart of ANTI Festival’s mission – free to attend for audiences, the festival is framed from within an idea of a gift. We celebrate two decades of activity, to think through the founding principle of the festival – to give, to be in the act of giving. As usual, the festival participates in various topical discussions and shakes our notions on the human, the society and the arts.

 

We have designed the festival to take into account everything needed for a COVID safe festival experience. Several artworks can be experienced alone or in small groups. See our guidelines for a COVID safe festival experience here: antifestival.com/en/covid-19

 

The festival works are free of charge but you need to book a seat. Information on how to book your seats can be found on the website.

 

PARTICIPATING ARTISTS

Veera Launonen & ILkka Kivelä (FI)

600 Highwaymen (USA)

Dana Michel & Tracy Maurice (CA)

Häiriköt-päämaja (FI)

Pekka Mäkinen & Kim Saarinen (FI)

Duefert&plishcke (DE)

HUUMA working group (FI)

Narcissister (USA)

Florentina Holzinger (AT)

Alex Baczynski-Jenkins (PL/UK)

keyon gaskin (USA)

 

Download the 2021 programme and daily schedule on the website:

https://antifestival.com/en/programme/

 

ABOUT ANTI

ANTI - Contemporary Art Festival began life in 2002. Since then we’ve produce 19th editions of ANTI – Contemporary Art Festival and have established a year-round programme of artist residencies and cultural projects and events. In 2014, we established the ANTI Festival International Prize for Live Art, one of Finland’s richest cultural prizes. Held annually in Kuopio, Finland, the city hosts the festival, projects by artists from around the world inhabit the spaces of public life – homes, shops, city squares, business, forests, lakes – and directly engage communities and audiences in the making and showing of their work. We’ve presented and commissioned some of the world’s most exciting artists from USA, Australia, Mexico, Japan and Europe along with leading artists from Finland, Sweden, Norway and Iceland. We’re proud to support an ever-growing generation of emerging artists, often presenting artists internationally for the first time.

 

+++

 

10. WORKSHOP: Site + Time Workshops with Martine Viale and Carron Little

Date: October 1–11, 2021; Location: on-line; Source: Carron Little

 

Site + Time Workshops:

 

Live Stream training for public performance with Carron Little

October 1–4, 2021 (four session at 90mins each)

 

Public Performance Workshop with Martine Viale

October 8–11, 2021 (four session at 90mins each)

 

Fee: $280 (inclusive of eight sessions)

 

In this double consecutive workshop that centers public performance at the heart of creative practice, Carron and Martine have collaborated to devise this double workshop for participants. The live stream workshop will give participants the skills to live stream their public performances that will be created simultaneously with the group during Martine’s workshop. These workshop sessions are limited to 10 places only.


In reflection of the Flow Symposium the community communicated the need to provide single or double workshop sessions throughout the year.

 

To find out more about the dates, and times future sessions throughout the year please visit here: www.flowsymposium.org/open-flow

 

+++

 

11. EVENT: 1 9 Monologue by VestAndPage
Date: September 17, 2021; Location: Folkestone, UK; Source: VestAndPage

 

1 9 Monologue by VestAndPage
An autobiographical performance text
on the body as home to pathogens

 

Presented by Strangelove Festival
Creative Folkestone Quarterhouse, Folkestone (UK)
September 17 | 7:30pm


The personal experience of being as a body home to pathogens flows into this autobiographical performance text, while building a bridge between precise self-observation and a global, historical and literary outside. While many in Europe consider it to be long since eradicated, it still presents one of the deadliest pandemics worldwide. In the Romantic period, it was epitome of muse and poetry and a popular motif in painting, literature and music. As the "firstborn of the mother of pestilence and disease" it has accompanied the primate human through the eras since time immemorial. Today it is a curable disease, and yet still more than one million people worldwide fall victim to it every year (*). Its social perception has changed fundamentally over the course of the epochs: from the glorified malaise of the romantic Bohemian poets, through the painful proletarian death during industrial revolution, to the antisocial illness of the lepers during National Socialism. Today it is considered the disease of the marginalized, the dependent and the destitute, hardly noticed by the common public. The talk is of tuberculosis.

 

ABOUT VESTANDPAGE

Since 2006, German artist Verena Stenke (b. 1981) and Venetian-born artist and writer Andrea Pagnes (b. 1962) have been working together as VestAndPage and gained international recognition in the fields of performance art, performance-based film, writing, publishing, and with collective performance operas and temporary artistic community projects. Since over a decade, VestAndPage have been exploring performance art and filmmaking as phenomena of 'thin places' through their collaborative creative practice, as well as through theoretical artistic research and curatorial projects. 

 

ABOUT STRANGELOVE FESTIVAL

Strangelove Time Based Media Festival is dedicated to promoting experimental, innovative art and film. The festival uniquely presenting together - artists film and video, cinema films, sound & performance art. Strangelove in a non-profit organisation and the majority of our events are free. Strangelove is reliant on our partners, network of volunteers and a small, dedicated team.

 

+++

 

12. CALL FOR PROPOSALS: Performance Research Vol. 27, No. 4: ‘On Care’

Deadline date: September 27, 2021; Location: the world; Source: Performance Research

 

Call for Proposals: Vol. 27, No. 4: ‘On Care’ (June 2022)

Proposal Deadline: 27 September 2021

 

Issue Editors: 

Felipe Cervera (LASALLE College of the Arts, Singapore)

Helena Grehan (Murdoch University, Australia)

Kristof van Baarle (University of Antwerp, Belgium)

 

This issue of Performance Research seeks to expand on and advance ideas and practices of care. During the last decade, the arts have adopted care as a hands-on concept to rethink how work is created and how it relates to its audiences. Increasingly aware that care is a performative practice that also requires imagination (Hamington 2010), artists have investigated what an aesthetics of care could be, and have sought ways to take care of one another during the creative process, even extending that care well beyond the boundaries of their work and of the communities they assemble. Similarly, arts organizations feel the need to take better care of the people and structures they consist of—an act that requires a change to these structures and institutions, which are often already in a state of crisis. Yet, if the last decade can be characterized in any way, it would probably be relative to the speed with which new crises emerge, challenging any form of established sociality and therefore the ways we think and engage with care. How we might think of care now—as an idea, a practice, a politics and/or an actuality that answers to the fluidity of contemporary crises and situations?

 

The theme of ‘On Care’ emerged from a week-long workshop at the Croatian National Theatre Ivan Zajc in Rijeka held from 3 to 7 June 2019. The Rijeka workshop was the initiative of the Croatian National Theatre, Rijeka; general manager and artistic director Marin Blažević; along with then vice-president of Performance Studies International (PSi) Professor Peter Eckersall. They invited fifteen international artists and academics to join them and colleagues in Rijeka to plan what was to be the 2020 PSi conference. The workshop was supported by the European Capital of Culture initiative and allowed the group to collaborate on developing a theme and a curatorial vision for the conference that would be held when Rijeka was European Capital of Culture in 2020. Of the many ideas and concepts workshopped that week the idea that the group—of which the editors of this issue were part—kept returning to was that of care. Questions and discussions swirled around this notion repeatedly, with the team eventually settling on ‘Crises of Care’ as the conference theme. Little did we know then that the term and actuality of crisis would become much more profound and widespread, leaching from concerns at that time with climate change, digital disruption, neo-liberal politics, precarity and issues concerning refugees and asylum seekers (among others) to the current situation where, while those crises remain, they have been amplified, extended and augmented by the pernicious force of COVID-19 and its far-reaching destruction. Nor did we know that the pandemic would engulf the idea of care, of society and of the possibility of a conference—that the world would be transformed, and that care would take centre stage in multiple and unexpected ways.

 

This issue invites articles, manifestos, position papers, interviews and artist pages that think through the idea and practice of care. Topics may include but are not limited to:

 

Caretaking and life stewardship 

Aesthetics of care

Art as a caring apparatus

End of life care and COVID-19

The limits of care ethics

Who has the right to care?

The politics of over-caring

How to care critically

Academic work and social care

Curatorial and editorial care (or lack thereof)

The caring state or caring apparatuses of biopolitics

Rituals of self-care 

Care and race/identity 

Trans-species care

The appropriation of ‘care’ by the neo-liberal machine

The politics of caring or refusing to care

Care as relational responsibility

Care beyond life—beyond the human

Theatrical care: mask work and hand gestures 

 

Please visit www.performance-research.org for the complete call for submission text and to read the general guidelines for submitting.

 

Schedule:

Proposals: 27 September

First drafts: 17 December

Final drafts: 11 February

Publication: June 2022

 

Issue-related enquiries should be directed to:

Helena Grehan, Murdoch University: H.Grehan@murdoch.edu.au 

 

Issue contacts:

All proposals, submissions and general enquiries should be sent direct to Performance Research at: info@performance-research.org

 

+++

 

13. COURSE: ECC presents Performing the Memory with Mara Jovanovic

Deadline to apply: October 2, 2021; Location: on-line; Source: ECC

 

ECC presents Performing the Memory with Mara Jovanovic

October 4–25, 2021
Mondays, 6pm–8pm CET
Fee: EUR 175

This practice-based course focuses on memory as immediate inspiration and tool for creating performance art. Through discussion of historic and contemporary examples, selected readings, and performance experiments, participants are guided to employ concepts of personal, group, and collective memory and embedded discourses to expand their artistic practice.

Learn more and enroll at:

https://ecc-performanceart.eu/performingthememory

 

+++

 

14. COURSE: ECC presents New Technologies for Performance Art with Francesca Albrezzi

Deadline to apply: October 3, 2021; Location: on-line; Source: ECC

 

New Technologies for Performance Art Part 1:
An Introduction to the Extended Reality Spectrum and Related Performance Work
with Francesca Albrezzi

October 5–26, 2021
Tuesdays, 6–8pm CET
Fee: EUR 175 (EUR 270 Part 1 & 2)

This course offers an introduction to new immersive technologies available to performance artists such as virtual reality, augmented reality and 360 photo and video capture, critically addressing their impact and meaning for the field. 

Learn more and enroll at:

https://ecc-performanceart.eu/newtechnologiesforperformanceart


Part 2 of this course will run in December 2021. For more information:
https://ecc-performanceart.eu/newtechnologiespart2

 

+++

 

15. ANNOUNCING: Franklin Furnace Fund Recipients 2021–2022

Date: now; Location: NYC, USA; Source: Franklin Furnace

 

This season marks the 36th anniversary of the Franklin Furnace Fund. Initiated in 1985 with the support of Jerome Foundation, Franklin Furnace has annually awarded grants to early career artists selected by peer panel review to enable them to prepare major performance art works in New York. This season, Franklin Furnace received 284 applications.

 

This year's panel of artists decided to award four $3,333 grants and five $5,000 grants. Franklin Furnace received support from Jerome Foundation, SHS Foundation and the New York City Department of Cultural Affairs in partnership with the City Council.

 

Mrinalini Aggarwal (Supermrin) & Jessica Fertonani Cooke (NY/Brasil)

Zeelie Brown (Brooklyn, NY)

Armando Cortés (Wilmington, CA)

Liz Ferrer & Bow Ty Enterprises Venture Capital (Miami, FL)

Caroline Garcia & Gabriela López Dena (Brooklyn, NY)

Lariel Joy (Edgewater, NJ)

Orgemdi Ude (Brooklyn, NY)

Kiyan Williams (Brooklyn, NY)

Robin Laverne Wilson (Dragonfly) (Brooklyn, NY)

 

For more information about the artists and their projects, visit: www.franklinfurnace.org

 

+++

 

16. TO WATCH: How to survive the pandemics? / Guillermo Gómez-Peña

Date: now; Location: on-line; Source: VestAndPage

 

VestAndPage continue their “momentum” series of conversations with: 

How to survive the pandemics?
Andrea Pagnes in a poetic exchange with Guillermo Gómez-Peña

 

For the fourth episode of the momentum series, "How to survive the pandemics?", Andrea Pagnes (VestAndPage) has been in a poetic exchange with the artist, activist and poet Guillermo Gómez-Peña. Over the course of one and a half years since February 2020, they have exchanged over a series of video meetings and online documents. They collected their poetic and philosophical considerations on what they saw evolving – testimonies of their times. We see them documenting a chronicle response to multiple pandemics, including COVID-19, the viruses of fear, racism, confinement, forced displacement and mental illness. Pagnes and Gómez-Peña shed a radical light of words onto the abysses of our times, such as white supremacy, oppression, violence, digital isolation, and ultimately: the survival of it all through art-making.

 

Guillermo Gómez-Peña is a performance artist, writer, activist, radical pedagogue, and artistic director of La Pocha Nostra's performance troupe. Born in Mexico City, he moved to the US in 1978, and since 1995, his three homes have been San Francisco, Mexico City and the "road". His performance work and 21 books have contributed to the debates on cultural, generational, and gender diversity, border culture and North-South relations. For over 30 years, he has been staging seminal performance art pieces. His award-winning solo performances mix experimental aesthetics, activist politics, Spanglish humor and audience participation to create a "total experience" for the audience member/reader/viewer. Gómez-Peña is currently a Patron for the London-based Live Art Development Agency and a Senior Fellow in the Hemispheric Institute of Performance and Politics.

 

Welcome to the momentum of the pandemics.

 

Watch here: 

https://www.vest-and-page.de/post/how-to-survive-the-pandemics-in-exchange-with-guillermo-gomez-pena

 

+++

 

ABOUT FADO PERFORMANCE ART CENTRE
Established in 1993, FADO Performance Art Centre is a not-for-profit artist-run centre based in Toronto, Canada. FADO provides a stage and on-going forum in support of the research and development of contemporary performance art practices in Canada and internationally. As a year-round presentation platform FADO presents the work of local, national and international artists who have chosen performance art as a primary medium to create and communicate provocative new images and perspectives.

LAND ACKNOWLEDGEMENT
FADO acknowledges that as settlers, we are not the first people to gather, live and work on the land where we currently operate and present our activities, currently referred to as the city of Toronto. In truth, Toronto's real name is tkaronto, meaning "place where trees stand in the water" and it is the traditional and unceded territory of many First Nations and peoples including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples. We work and live here in the spirit of the traditional treaty—the Dish with One Spoon treaty between the Anishinaabe, Mississaugas and Haudenosaunee—that binds and protects the land.

Artistic + Administrative Director
Shannon Cochrane

Board of Directors
Julian Higuerey Núñez, Chair
Jennifer Snider Cruise, Vice Chair
Cathy Gordon, Treasurer
Clayton Lee, Secretary
Francesco Gagliardi
Freya Björg Olafson

FADO is supported by the Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council and the Department of Canadian Heritage.

 

 

Copyright © 2021 Fado Performance Inc., All rights reserved.