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FADO E-LIST (March 2022)INDEX 1. MENTORSHIPS: 1:1 Psychomagic Mentorships with Guillermo Gómez-Peña Date: March 2022; Location: on-line; Source: Balitronica 2. OPEN CALL: Flow • embody in site, 2022 Deadline date: March 8, 2022; Location: Chicago, USA; Source: Carron Little 3. EVENT: ANIMA MUNDI – requiem for a vanishing by gustaf broms Date: March 11–27, 2022;
Location: Stockholm, Sweden; Source: gustaf broms
4. EVENT: Live Art Denmark presents Friisland Live Date: March 12, 2022; Location: Copenhagen, Denmark; Source: Live Art Denmark 5. CALL FOR PROPOSALS: SummerWorks 2022 Deadline date: March 15, 2022: Location: Toronto, Canada; Source: SummerWorks 6. CALL FOR SUBMISSIONS: Vector Festival 2022 Deadline: March 18, 2022; Location: Toronto, Canada; Source: Inter/Access 7. EVENT: Performance art / no-things and rituals Date: March 18, 2022; Location: Essen, Germany; Source: Marita Bullmann 8. WORKSHOP: Movement-based Performing and Performance Art with Nicoletta Cappello Deadline date: March 26, 2022; Location: on-line; Source ECC 9. WORKSHOP: Site-specific Performance Art with Tina Mariane Krogh Madsen Deadline date: March 27, 2022: Location: on-line; Source: ECC 10. CALL FOR PROPOSALS: PSi Artistic Research Working Group 2022 Deadline date: April 1, 2022; Location: the world; Source: PSi 11. CALL FOR PROPOSALS: Franklin Furnace Fund Deadline April 1, 2022; Location: New York City, USA; Source: Franklin Furnace
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1. MENTORSHIPS: 1:1 Psychomagic Mentorships with Guillermo Gómez-Peña Date: March 2022; Location: on-line; Source: Balitronica
1:1 Psychomagic Mentorships with Guillermo Gómez-Peña! Mediated by Balitrónica
GOMEZ-PEÑA: "Yes, I’m willing to zoom coño! In these times of radical sensory social deprivation, financial strain, and forced house arrest, my friends suggest I become an online art/life coach! I don’t know how to be one–I haven’t seen Oprah Winfrey or Doctor Phil–but I think I can be a decent intellectual geisha, virtual bartender, (ex)deviant catholic confessor or even a Liberation psychiatrist on steroids. I can ask the right questions regarding artistic reinvention and how it can help us radical rebels outlive the current crisis, engage in radical listening and radical tenderness and online performance activism, and finally I can offer some humble suggestions and feedback for your work and life. m 66 and willing to give it a try and to be the next Walter Mercado! Que podemos perder? Besides, you get an extra benefit. The presence and wisdom of lovely Balitronica!
BOOKING NOW for March 2022
Sessions include topics such as artistic mentorship and radical psychomagic life coaching. Sessions are $55-$75 sliding scale for 30 minutes or $100-$150 for 1 hour. Sessions are available on Tuesdays and Thursdays (but we are willing to accommodate you on another day if need be). This is something GP has always wanted to do but has never had enough time off from touring (now we aren't touring for obvious reasons) so he's excited to finally fulfill this one-on-one dream! We look forward to making magic with you.
Please email ballitron@gmail.com
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2. OPEN CALL: Flow • embody in site, 2022 Deadline date: March 8, 2022; Location: Chicago, USA; Source: Carron Little Flow • embody in site, 2022 Online Public Performance Symposium in June 2022 Out of Site Chicago is inviting proposals from local, national, and international performance artists to present their work at Flow • embody in site, 2022. We invite people to submit concepts for performance lectures and/or artist presentations. Priority will be given to artists who have a public performance art practice but we are open to all thoughts and ideas. We will select between eight and eleven artist/ artist collaborator presentations. Each session will last 90mins and each presenter will be allocated a facilitator that will support a dialogue with symposium participants. This will be part of a symposium with practice-based workshops, presentations by artists from around the world, a finale weekend of live public performance from around the world and a curated program. Submission Requirements: –A short bio (300 words) –A 500-word abstract describing the concept of the performance lecture/ artist presentation (printed on website and in post-symposium catalog) –Two high res images of relevant work with photo credits –Artist website address –CV or resume Deadline for Submissions: Sunday March 8, 2022 (midnight CST) NO LATE ENTRIES WILL BE ACCEPTED
Ways to submit: 1. Use the submission form: https://forms.gle/dvr5gJwppUZxP8X17 2. Email one (1) pdf to outofsitechicago@gmail.com (subject line 'Flow2022') Out of Site Chicago (OoS) has been curating unexpected encounters in public space since 2011. OoS has developed a methodology of working in urban space that supports diverse ideas and representations of artistic work. We have a trained steward team that supports the artist’s work and facilitates public engagement with the performance. In 2020, Out of Site partnered with Experimental Sound Studio to create live stream performances to support our performance community. In 2021, OoS organized Flow • embody in site, 2021 to foster international conversations about public performance practice.
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3. EVENT: ANIMA MUNDI – requiem for a vanishing by gustaf broms Date: March 11–27, 2022
Location: Stockholm, Sweden; Source: gustaf broms
ANIMA MUNDI – requiem for a vanishing a 4-channel video installation and performance by gustaf broms
BENHUSET (The Bone House), March 11–27, 2022 12:00–20:00 daily
“Being in a time and place, where identification with the thin membrane of skin, as container of self, is slowly dissolving, as borders between beings evaporate, the environment disintegrates into a myriad of sentient beings.” ~gustaf broms
The project ANIMA MUNDI grew out of a series of actions in the forest in Vendel, Sweden. These meetings of organic bodies create a dialogue between species that weaves a story without words. These filmed interactions become the material for a 4-channel video in a room somewhere between installation, sound, performance and video, in which the artist makes an 18-day action as a dialogue with moving image.
The working title ANIMA MUNDI usually translates as ‘world soul.’ In Timaeus, Plato wrote “Therefore, we may consequently state that: this world is indeed a living being endowed with a soul and intelligence...
...a single visible living entity containing all other living entities, which by their nature are all related.”
BENHUSET translates as ‘bone house,’ built in early 1700s at the far end of the cemetery at Katarina church. Originally bones were kept from people not allowed in the consecrated ground (murderers, un-baptized). During the plague years, bones stacked up, thereof the name. The building was closed in 1870, the re-opened in 2016 for cultural events.
The bone house is located on the south side of Katarina cemetery in Stockholm Sweden and is a meeting place for art, theater, devotion, music and reflection in the vicinity of the dead.
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4. EVENT: Live Art Denmark presents Friisland Live Date: March 12, 2022; Location: Copenhagen, Denmark; Source: Live Art Denmark
Live Art Denmark presents Friisland Live March 12, 2022 7:00–10:00pm
International performance night with wine and snacks! We are excited to present three intriguing projects investigated with ingenious and performative strategies at our most sensational, inspirational, celebrational, friislandational LIVE PERFORMANCE NIGHT! PROGRAM: Miao Jiaxin (China/USA) Kristoffer Ørum (DK) David Sebastian Lopez Restrepo (DK)
Friisland was founded in 2021. It is a project space for interdisciplinary and performative investigations of ideas. We also offer talks, lectures, feedback, documentation and international possibilities. Friisland is situated in the outer Nordhavn area of Copenhagen, across the future culture center, Tunnelfabrikken. We are engaged in our location in Nordhavn, a new area of Copenhagen being developed these years. We are preparing various projects inside and outside, and in cooperation with existing institutions and businesses in Nordhavn. Friisland is a project by Live Art Denmark, which has been devoted to the development, discussion and documentation of performative art forms in Denmark and abroad since 2004.
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5. CALL FOR PROPOSALS: SummerWorks 2022 Deadline date: March 15, 2022: Location: Toronto, Canada; Source: SummerWorks
Artists, dreamers, innovators and change makers: we want to work with you!
SummerWorks expands the possibilities of performance. In its 32nd year, our summer Festival, based in Toronto, Canada, is widely recognized as one of the most vital platforms for launching new performance in the country. We are currently seeking proposals for our Festivals next edition, taking place August 4th-14th, 2022. Proposals are encouraged from established and emerging creators, as well as curators, working across all disciplines and artistic traditions. In-person, digital, and hybrid performance projects will be considered.
APPLY NOW. No application fee. Guaranteed artist fees. http://summerworks.ca/2022-call-for-submissions/
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6. CALL FOR SUBMISSIONS: Vector Festival 2022 Deadline: March 18, 2022; Location: Toronto, Canada; Source: Inter/Access
Vector Festival is an experimental media arts festival dedicated to showcasing digital games and creative media practices. Presenting works across a dynamic range of exhibitions, screenings, performances, lectures, and workshops, Vector acts as a critical bridge between emergent digital platforms and new media art practice. The festival is proud to be a participatory and community-oriented initiative organized by InterAccess in Toronto, Canada.
InterAccess invites submissions of artworks to the festivals 2022 program, which will include screenings, performances, workshops, and digital projects taking place July 14–24, 2022. The festivals flagship exhibition is scheduled to take place at InterAccess from July 14–August 13, 2022.
Vector Festival does not charge submission fees. All artists selected for participation will receive fees in accordance with CARFAC and IMAA fee schedules, as well as support to apply for external funding.
We invite submissions of digital and new media artworks for the following festival
–Flagship Exhibition: Digital and post-digital artworks, including new media installations, game mods, screen-based work, sound art –Online Projects: Web-based projects and digital artworks that can be presented online, including interactive and time-based digital projects –GIFs: Animated GIFs intended for presentation on public screens –Screening: Experimental film, video, animation, and machinima works –Performance: Performance-based proposals including lo-fi, chiptune, sound art, live coding, A/V performances, and telematic performances –Workshops: Proposals for online and in-person workshops teaching emerging and experimental
For more information and to submit: http://vectorfestival.org
Founded in 1983, InterAccess is a gallery, educational facility, production studio, festival, and registered charity dedicated to new media and emerging practices in art and technology. Our programs support art forms that integrate technology, fostering and supporting the full cycle of art and artistic practice through education, production, and exhibition. InterAccess is regarded as a preeminent Canadian arts and technology centre.
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7. EVENT: Performance art / no-things and rituals Date: March 18, 2022; Location: Essen, Germany; Source: Marita Bullmann
Performance art / no-things and rituals with eduardo cardoso amato (BR) and Renata (BR/UK)
March 18, 2022 | free entrance / please follow all Covid-19 regulations
Marie Wolfgang, werkstatt + praxis gegenwärtiger Kunst
ABOUT THE ARTISTS eduardo cardoso amato (BR)
I am interested in the perspective of performance art as ritual and the correspondence between art and life. Here and now, I seek to recognize issues related to tradition coupling real and non-hermeneutic actions that integrate to allow full manifestation of a state of directed consciousness with subtle and unpredictable impact and creating unique spaces for connections. My work combines ethno-cultural structures, oral traditions, archetypes of art history, literature, and mysticism. A directed awareness to expand positive traits and overcome negative traits in internal and external transformation through performance art.
Renata (BR/UK)
more information: info@maritabullmann.de
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8. WORKSHOP: Movement-based Performing and Performance Art with Nicoletta Cappello Deadline date: March 26, 2022; Location: on-line; Source ECC
ECC – Performance Art presents: Let's get Physical! An Introduction to Movement-based Performing and Performance Art with Nicoletta Cappello
Focusing on the role of physical action and bodily creativity in performance art making, the course introduces students to the philosophical principles, the processual forms, and the techniques needed to work with their own body as a starting point of the process of creating performance art.
March 28–April 18, 2022 Mondays, 6–8pm CET / on-line Fee: EUR 175
ABOUT NICOLETTA CAPPELLO Nicoletta Cappello is a performing artist, educator, and doctoral researcher at UdG and UniCT. In her work, she is interested in studying processual forms and exploring the common ground between Performing Arts, Performance Art, and Embodied Learning. Her pieces experiment with participatory, intermedia, and immersive formats and invite the audience to collaborate as another performer by actively moving their bodies.
Learn more and enroll here: https://ecc-performanceart.eu/letsgetphysical
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9. WORKSHOP: Site-specific Performance Art with Tina Mariane Krogh Madsen Deadline date: March 27, 2022: Location: on-line; Source: ECC
ECC – Performance Art presents: Site-specific Performance Art with Tina Mariane Krogh Madsen
This course offers an introduction to methods of working with site-specific performance art, in natural environments, public space, collaboratively, as well as using online space as a performance site. It will through presentations, discussions and practical exercises connect theory to practice.
March 29–April 19, 2022; Tuesdays 6–8pm CET / on-line Fee: EUR 175
ABOUT TINA MARIANE KROGH MADSEN Tina Mariane Krogh Madsen is an artist and researcher, who works at the intersection between performance art, media, and matter. Madsen is currently a doctoral candidate at Aalto University School of Arts, Design, and Architecture in Finland, where their artistic research evolves around environmental performance art and affective relations in a critical ethico-aesthetic practice. Madsen has performed internationally in many formats and contexts. They are the founder and organizer of Performance Protocols, a nomadic platform for instruction-based art and collaborative processes.
Learn more and enroll here: https://ecc-performanceart.eu/sitespecificperformanceart
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10. CALL FOR PROPOSALS: PSi Artistic Research Working Group 2022 Deadline date: April 1, 2022; Location: the world; Source: PSi
Performance Studies international (PSi) Artistic Research Working Group 2022
PSi Artistic Research Working Group Convenors: Annette Arlander Bruce Barton Johanna Householder
The Performance Studies international (PSi) Artistic Research Working Group welcomes proposals for its online gathering at PSi #27: Hunger. The annual conference takes place 6-9 July 2022, and the Artistic Research Working Group (ARWG) will convene over two days, 6-7 July 2022.
The primary focus of PSi #27 is corporeal hunger—the literal deprivation of food and nourishment. However, the conference theme also recognizes a range of emotional and psychological manifestations of hunger, and the ARWG is particularly aware of the desire for physical contact and embodied sharing experienced over two years of a global pandemic. In response, we have been exploring the potential for meaningful interconnection in virtual exchange. In 2022, our experimentation with possible forms and rhythms of online collaboration will take the following form.
We invite proposals related to a current, recent or envisioned artistic research project, to be submitted by 1 April 2022. Selected participants will be invited to submit a more detailed project description accompanied by links to online support materials (video, audio, photos, text, etc.), and to make a brief presentation on this work during the first day of our gathering.
Each participant will also be paired with one other working group member to create a collaborative response to one of the projects presented on day one. These ‘response conversations,’ which will occur on day two of our meeting, can take many forms. They may be either fully prepared and rehearsed or informal and impromptu, depending on the collaborators’ interest and capacity. In this manner, we hope to both showcase our community’s activities and foster generous, spontaneous and animated exchange in a format that can be modified to fit all participants’ circumstances.
Schedule: April 1: send a 250–300 word proposal to arwgPSi@gmail.com May 15: Full submissions due June 2: Notification of ‘response conversation’ pairing distributed
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11. CALL FOR PROPOSALS: Franklin Furnace Fund Deadline April 1, 2022; Location: New York City, USA; Source: Franklin Furnace
Initiated in 1985 with the support of Jerome Foundation, Franklin Furnace annually awards grants to early career artists selected by peer panel review to enable them to produce major performance art works in New York City.
In the spring of 2008, Franklin Furnace combined the Franklin Furnace Fund for Performance Art and The Future of the Present into one program, entitled the Franklin Furnace Fund. Franklin Furnace made the decision to combine these programs because during the past decades, artists have created temporal works on every point of the spectrum between the body of the artist and the circulatory network of the Internet.
The Franklin Furnace Fund is supported by Jerome Foundation and the NYC Department of Cultural Affairs in partnership with the City Council. Fund grants range between $2,000 and $10,000 based on the peer review panel allocation of funding received by Franklin Furnace. Artists from all areas of the world are encouraged to apply; however, artists selected by the panel are expected to present their work in New York City. Full-time students are ineligible.
Franklin Furnace has no curator; each year a new panel of artists reviews all proposals. We believe this peer panel system allows all kinds of artists from all over the world an equal shot at presenting their work. Every year the panel changes, as do the definitions of “early career artist” and “performance art.” So, if at first you don’t succeed, please try again.
Since 1985, the Fund has helped launch the careers of Jo Andres, Tanya Barfield, Jibz Cameron aka Dynasty Handbag, Lenora Champagne, Patty Chang, Papo Colo, Brody Condon, Nicolás Dumit Estévez Raful Espejo Ovalles, Ayana Evans, Karen Finley, John Fleck, Coco Fusco, Kate Gilmore, Pablo Helguera, Donna Henes, Murray Hill, Holly Hughes, Liz Magic Laser, Shaun Leonardo, Taylor Mac, Robbie McCauley, Jennifer Miller, Naeem Mohaiemen, Rashaad Newsome, Clifford Owens, Pope.L, Dread Scott, Pamela Sneed, Fiona Templeton and Diane Torr, among other Franklin Furnace Fund recipients.
For more information and to apply: https://franklinfurnaceloft.org/grants-and-funding/the-fund/
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