FADO is pleased to present Five Holes: Listen!, a series of five performance "maneuvers" dealing with the sense of hearing. Five Holes is an ongoing FADO series that examines the nature and importance of bodies (performer and audience) in performance art by focusing on individual senses. Featured artists in this 'hearing' component, the fourth in the series, include Erika DeFreitas (Toronto), Linda Rae Dornan (New Brunswick), Eric Létourneau (Quebec), So-Yeon Park (USA), and Jed Speare (USA).

This series considers acts of "listening" as they are carried out by and impact upon physical, social, political and spiritual bodies. Linda Rae Dornan presents herself as a solitary figure, sitting quietly in the city, listening -- encouraging us to also stop for a moment to hear what we normally ignore. Erika DeFreitas offers her presence for a one-on-one exercise of listening as a way of locating the self. Jed Speare lobbies the city for a quiet zone that would serve as an area of sound awareness. So-Yeon Park assembles chanters from various cultures to direct their voices toward individual participants' wishes as a way of channeling transformative energy. Eric Létourneau evokes silence as a way of marking and remembering all of the world's victims of political persecution in a multi-layered project that interrogates the role of the State and of mass media in silencing "silence" itself.

ABOUT THE PROJECTS

Open
Linda Rae Dornan
Sept 15, 2004, 8 am - noon: Queen's Park, west side near Hoskin Ave.
Sept 16, 2004, 8 am - noon: University Ave. traffic island, south of Gerrard St.
Artist Talk: Sept 16, 2004, 8 pm: at WARC, 401 Richmond St. W., Suite 122

OPEN features Linda Rae Dornan in a durational tableau performance of listening, only listening, in an open space surrounded by non-functioning audio speakers. It is about slowing down, actually hearing the world breathe around oneself, and being part of that breath. Time slows down, and one is absorbed into the soundscape, into hearing oneself and the world.

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Untitled: Selective Hearing
Erika DeFreitas
September 25 - October 24, 2004
Saturdays and Sundays from 9 am - 5 pm, various locations
Presented in conjunction with the 7a*11d International Festival of Performance Art

Note: This project featurs a series of thirty-minute to one-hour weekend performances at various locations for individual participants. Advance reservations are required. Email hearing@performanceart.ca or call (416) 822-3219 for an appointment.

Untitled: Selective Hearing explores the sense of hearing and more specifically the act of listening as an intimate act of inclusion, trust, and the location and dislocation of self amidst a variety of public venues in Toronto. Artist Erika DeFreitas will be offering her shared presence to those who are interested in taking the time to sit and listen to their surroundings. Participants sign up for a particular place and time to join the artist in a conscious act of listening to the surrounding space.

DeFreitas notes about this piece: "Our society depends heavily on conscious auditory perception as being selective, and this perception has created a culture of selective hearing. Our ability to ‘block’ things out allows us to choose when we want to listen, what we listen to, and what we hear. Various components of our surrounding environment have perpetuated this practice of filtering sound and have dictated what is allowed to take root and what must be discarded. Such forms of selective hearing and escapism can alter our environment in a surreal way. In his writing about conceptual art, I believe that an awareness of the ways that a sense of space or environment can be established through sound, as well as an understanding of how we might unconsciously use sound to essentially make an environment transferable, can develop through a process of active listening."

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A Quiet Zone II
Jed Speare 
October, 2004
Artist Talk: October 7, 2004, 4 pm
Rectory Café, Ward's Island

In A Quiet Zone II, Jed Speare seeks to establish a zone of quiet through municipal channels in a neighborhood of Toronto -- not for the purpose of restricting noise, but for promoting sound awareness and contemplation. Under city by-laws, Quiet Zones regulating noise activity can be established around hospitals and retirement homes. Speare's proposal seeks to overturn and expand the notion of the Quiet Zone philosophically and idealistically, creating an occasion and site for an aesthetic experience, listening to a particular urban environment. For the past several months, Speare has been seeking the appropriate agency to initiate a formal process to create a zone in the inner harbour of Ward's Island. From late September, Speare will be working in Toronto to meet with community members and officials and continue this process, culminating in an event on October 7 that will present his progress to-date, at a site and time to be determined. A Quiet Zone II is supported in part by a residency at Do While Studio in Boston and a grant from the Nicholson Foundation.

Jed Speare's Quiet Zone (pdf)

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Standard III
Eric Létourneau
Artist Talk: October 21, 2004, 9PM
XPACE, 303 Augusta Avenue, Toronto
Presented with 7a*11d International Festival of Performance Art

Eric Létourneau's "manoeuvre" STANDARD III began as a two-hour uninterrupted nationwide radio broadcast on Radio-Canada on April 11, 2004 (Easter). The program featured 198 30-second periods of radio silence punctuated by an alphabetical listing of every country in the world. The same phrase introduced each silence: "Thirty seconds of silence for domestic and foreign political victims..." This broadcast was recorded live off the airwaves and remixed for publication on two CDs along with a text that considers the effects of administrative regulation and State control on mass media.

Beginning in October 2004, copies of the publication will be sent through diplomatic channels to each country of the world. On the occasion of each country's national celebration, its head of state will be contacted to verify the receipt and subsequent response to the CD. This process and the reactions it generates will be recorded on the websites of FADO and Systeme Minuit. The documentation collected, including all diplomatic correspondence, will eventually be published in book form.

www.systememinuit.com

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Interfaith Chanting/Praying Ceremony
So-Yeon Park

January 27, 2005. 7 - 8 pm
Alumni Hall of Victoria College (University of Toronto)
91 Charles Street, Toronto

Interfaith Chanting/Praying Ceremony is an interactive event organized by Korean artist So-Yeon Park. Park has assembled a circle of local volunteer chanters from a variety of religious traditions who will direct their voices toward participants' wishes as a way of channeling transformative energy. Audience members are invited to walk around the circle and listen, as well as to enter the circle and hold a wish while the chanters surround them and pray for their wish to come true.

Park explains:
This spontaneous multi-faith circle of chanting and prayer brings together people from many faiths. Religious/spiritual practitioners are invited to experience and share their own deep faith in an environment of diverse spiritual devotion. Viewers will have an opportunity to witness and feel the power of prayer.